
Joy Brown
Birds fly away, 2025

Most visits happen on phones, between errands and train stops. Events, news, and giving all hold up on a small screen.
BMA’s site leans on two things: Chase Guttman’s photography of the malls, and a palette that never leaves the garden. Headlines are set in Montagu Slab, a serif with the confidence of good park signage, and Outfit keeps the body text light on its feet.
Greens and creams do the framing, and the photography does the talking. Even the donation tiers grow like the plantings do: Seedling, Bud, Blossom, Gardener, Broadway Circle.
Every build has corners we’re especially proud of. These are live right now, click through.
Five miles crosses a lot of neighborhoods, and each mall gets its own page covering its plantings, its art, and its stories. A love letter to the blocks.
The case for the malls in one place: what the plantings, the art, and the programs add up to, built for sharing with funders.
Events, volunteer days, and news from the malls, kept current by BMA staff with the homepage controls we built for them.
BMA’s history runs from a Lenape footpath to next year’s planting list. Twelve entries is a lot to ask anyone to sit through, so the page hangs all of them off a single vertical rail: a dot for each moment, the year in small type, the headline in green.
The rail is the whole trick. Your eye has one thing to follow, so twelve separate entries read as one continuous story and you always know how far along you are. Archival maps and photographs drop in at column width between the entries, which lets an 1868 survey and a 1904 street scene share a page without either one taking over.
It was vertical from the start, so the phone version is the same page with a narrower rail. Nothing had to be rethought for the small screen.
The WordPress raffle plugins we looked at were heavy, abandoned, or both, so we wrote BMA a small one of their own. Buy an entry and it talks to Stripe and Little Green Light at the same time: the charge clears and the entry lands in their donor database in one motion.
The same shared payments core runs their donations and Spring Gala ticketing, and a form builder lets staff launch whatever comes next without calling us.
We rebuilt BMA’s raffle to run on this page. Eight of the real lots from the 2026 gala, the same stepper on every card, and the same pricing rule the plugin uses: $100 an entry, or three for $200, applied as you go. Add a few and watch the total sort itself out.

Birds fly away, 2025

Barack Obama’s Portrait

Duo-Lect, 2015

Trinity, 2023

Broadway Blooms, 2022

Kimono Soul, 2026

We Were Bugged, 2025

Selection of Books
On broadwaymall.org all three happen in one motion, with no one at BMA rekeying anything. Here, nothing is charged.
Since 2004, BMA has installed monumental public art along the medians. The site archives every season. Here are all fifteen.
Tom Otterness2004–2005
Carole Eisner2009–2010
Manolo Valdés2010–2011
Peter Woytuk2011–2012
Saint Clair Cemin2012–2013
Dan Colen2014–2015
Lars Fisk2014–2015
Tony Matelli2014–2015
Don Gummer2015–2016
Joy Brown2017–2018
Kathy Ruttenberg2018–2019
Nicolas Holiber2019–2020
Jon Isherwood2021–2022
Sean Scully2024–2025
Carl D’Alvia2025
Tom Otterness2004–2005
Carole Eisner2009–2010
Manolo Valdés2010–2011
Peter Woytuk2011–2012
Saint Clair Cemin2012–2013
Dan Colen2014–2015
Lars Fisk2014–2015
Tony Matelli2014–2015
Don Gummer2015–2016
Joy Brown2017–2018
Kathy Ruttenberg2018–2019
Nicolas Holiber2019–2020
Jon Isherwood2021–2022
Sean Scully2024–2025
Carl D’Alvia2025


A staff you could fit around one picnic table stewards five miles of Manhattan, and they treat their website like part of the landscape: something worth maintaining. We are still on retainer, still shipping improvements as the programs grow.
It is a strange joy to build Manhattan infrastructure from Bellingham. BMA runs lean and cares hard. Every so often a photo arrives of the malls in bloom, taken from a window we have never stood at, running past something we made. It never stops being fun.